{"id":23,"date":"2007-10-26T05:28:08","date_gmt":"2007-10-26T13:28:08","guid":{"rendered":"https:\/\/greggerke.com\/?page_id=23"},"modified":"2020-10-09T05:41:24","modified_gmt":"2020-10-09T13:41:24","slug":"links-not-go-left-deutsch-speakers","status":"publish","type":"page","link":"https:\/\/greggerke.com\/?page_id=23","title":{"rendered":"See What I See: Essays  and  Especially the Bad Things: Stories"},"content":{"rendered":"<p class=\"postentry\">\u00a0<\/p>\n<p><a href=\"https:\/\/www.thisissplice.co.uk\/our-titles\/living-essays\/see-what-i-see\/\"><em>See What I See<\/em><\/a>, a book of essays and:\u00a0<a href=\"https:\/\/www.thisissplice.co.uk\/our-titles\/phase-2\/especially-the-bad-things\/\"><em>Especially the Bad Things<\/em><\/a>, a book of stories.\u00a0<\/p>\n<p><a href=\"https:\/\/www.thisissplice.co.uk\/2019\/11\/04\/greg-gerke-1-of-2\/\">Interview with Daniel Davis Wood at <em>Splice<\/em><\/a><\/p>\n<p><a href=\"https:\/\/soundcloud.com\/user-63759823\/gaddis-gass-the-compositional-self-with-greg-gerke-episode-no-17\">The Feelish Bookish Podcast (Robert Fay and Roman Tsivkin) had me as a guest<\/a><\/p>\n<p><a href=\"https:\/\/storgy.com\/2019\/11\/16\/especially-the-bad-things-by-greg-gerke\/\">Storgy Magazine reviews<em> Especially the Bad Things<\/em><\/a><\/p>\n<p>Praise for <em>See What I See<\/em>:<\/p>\n<p style=\"font-weight: 400;\"><em>See What I See\u00a0<\/em>is the very brew needed in these parched times. Greg Gerke\u2019s generous, thoughtful reflections on the beguiling experience of art are full of uplift and reverence for the illuming efforts of writers and filmmakers: Louise Gl\u00fcck, William Gass, and William Gaddis, Stanley Kubrick and Paul Thomas Anderson, to name but a few.\u00a0\u00a0And he does not stint intimate experience, the riches of the examined life, and the possibility of \u201cengaging with the work and then each other.\u201d\u00a0\u00a0Take up this wonderful book and, \u201cdrink and be whole again beyond confusion.\u201d\u00a0\u00a0<\/p>\n<p style=\"font-weight: 400;\">-Christine Schutt, author of\u00a0<em>Pure Hollywood<\/em>\u00a0\u00a0<\/p>\n<p>Greg Gerke is an essayist after my own heart.\u00a0 He&#8217;s smart, he&#8217;s sensitive, and he&#8217;s strange.\u00a0 He knows literature, film and enough about his own catastrophic psyche to make him a reliable witness and commentator.\u00a0 Plus, his sentences are graceful and precise.\u00a0<\/p>\n<p>&#8211; Phillip Lopate, author of <em>Portrait of My Body<\/em><\/p>\n<p>Greg Gerke\u2019s taste is excellent. His knowledge of the creative masters he lovingly observes and reflects on is broad and deep. His judgment is well-grounded and precise. The best thing, though, about his brilliant, quirky book of essays \u201cSee What I See\u201d is understanding what living with great art is like for someone who can\u2019t live without it. \u2014 Vijay Seshadri, Pulitzer-Prize winner for\u00a0<em>3 Sections\u00a0<\/em><\/p>\n<p class=\"m_4214103880596027749ydp408dc472MsoNormal\">This beguiling collection of belletristic essays puts into practice William H. Gass\u2019s belief that \u201cWorks of art are meant to be lived with and loved.\u201d In prose as beautiful and imagistic as Gass\u2019s, Gerke recounts how he has lived with and loved certain authors\u2014Gass, Gaddis, Stevens, Stein, Naipaul, and others\u2014and with some auteur directors.\u00a0<i>See What I See<\/i>\u00a0paints a portrait of a \u201cman of letters\u201d in the old sense of the term, someone for whom literature is a way of life, not an academic profession, and I can\u2019t recommend this highly enough.<\/p>\n<p class=\"m_4214103880596027749ydp408dc472MsoNormal\" align=\"right\">\u2014Steven Moore, author of\u00a0<i>The Novel: An Alternative History<\/i><\/p>\n<div>Greg Gerke\u2019s\u00a0<i>See What I See<\/i>\u00a0is \u201cenlivened by ruin.\u201d James, Rilke, and Stevens. Gass and Gaddis. Eric Rohmer. These are the shards that he shores against this ruin. Gerke is one of the faithful remnant, loyal to the riches, pleasures, and freedoms of art.\u00a0<i>See What I See<\/i>\u00a0is the fittest subversion of the moralizing present: it revels in its own shrewd gorgeousity.<em><span style=\"color: #000000; font-family: arial, sans-serif;\"><br \/><\/span><\/em><\/div>\n<div>\u00a0<\/div>\n<div>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2014Curtis White, author of <em>T<\/em><i>he Middle Mind: Why<\/i><\/div>\n<div><i>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/i><i>Americans Don&#8217;t Think for Themselves<\/i><\/div>\n<div>\u00a0<\/div>\n<div><a href=\"https:\/\/reconstructionarytales.blog\/2019\/09\/07\/a-bit-of-turner\/\">Paul Skinner on <em>See What I See <\/em>and John Ruskin<\/a><\/div>\n<div>\u00a0<\/div>\n<p>Praise for<em> Especially the Bad Things<\/em>:<\/p>\n<div class=\"postentry\">\n<div class=\"postentry\">&#8220;Greg Gerke is a short form wizard; dark, funny and seriously sly. His book will deliver you to new strange thought and feeling.&#8221;<\/div>\n<p class=\"postentry\">-Sam Lipsyte, author of <em>The Ask<\/em><\/p>\n<p>&#8220;In this remarkable series of ruefully funny and insightful bursts, Greg Gerke manages to reorder the mundanity of alienation into something urgent and vital.\u201d<\/p>\n<p>-Sergio De La Pava, author of\u00a0A Naked Singularity<\/p>\n<\/div>\n<div class=\"postentry\">\n<div>&#8220;If you put Lydia Davis, Etgar Keret and Philip Roth&#8217;s Portnoy in a blender\u00a0you might \u00a0get Greg Gerke&#8217;s quirkily neurotic, hilariously honest voice\u00a0in &#8220;My Brooklyn Writer Friend.&#8221; All the writing about writing probably won&#8217;t play\u00a0in Peoria, but \u00a0luckily he lives in Brooklyn, \u00a0believes in truth in advertising \u00a0and his very short stories are weird and\u00a0wildly engaging. &#8220;<\/div>\n<div>\u00a0<\/div>\n<div>&#8211; Susan Shapiro, author of <em>Lighting Up<\/em> and <em>What&#8217;s Never Said<\/em><\/div>\n<\/div>\n<p class=\"postentry\">&#8220;How is it that Greg Gerke\u2019s short fiction collection makes dislocation, miscommunication, and the anxious knots of the mind seem absolutely worthwhile and even kind of fun? Friends, sort-of-friends, lovers and sort-of-lovers tangle with the loneliness of being apart\/together. Get prepared for a writer who wonderfully navigates bumbling, ordinary life with smart, sharp writing and a big dose of compassion.&#8221;<\/p>\n<p class=\"postentry\">&#8211; Victoria Redel, author of <em>Make Me Do Things<\/em><\/p>\n<div class=\"postentry\">\u00a0<\/div>\n<div class=\"postentry\"><span style=\"font-family: arial, helvetica;\"><span style=\"font-family: Arial;\">&#8220;These swift, swervy, nervous fictions&#8211;as often as not about writers in antic crisis with the language, lovers in trouble with their loves&#8211;are heartachingly hilarious and stocked from margin to margin with agony-born brilliances fresh and revitalizing. Greg Gerke&#8217;s endearingly self-questioning narrators worry their doubts into a make-do grace that leaves a reader sweetened too.<\/span><\/span>&#8220;<\/div>\n<p class=\"postentry\">&#8211; Gary Lutz,\u00a0author of <i>Stories in the Worst Way<\/i><\/p>\n<div class=\"postentry\">\u00a0<\/div>\n<div class=\"postentry\">&#8220;A Duchampian travelogue about the nature of how we read and\u00a0construct the stories, MY BROOKLYN WRITER FRIEND, is as compelling as entertaining.\u00a0 The six interlocking sections present comedic aspects of the American\u00a0landscape we take for granted, and at the same time challenge our received ideas about the places we visit. As quickly as the writers in the book build the scaffolding of their ideas, others\u00a0endeavor to shift the architecture.\u00a0 The result is a series of brilliant roller coaster rides that demand to be revisited many times over. &#8220;<\/div>\n<p class=\"postentry\">&#8211; Susan Daitch,\u00a0author of <i>Paper Conspiracies<\/i><\/p>\n<p class=\"postentry\">&#8220;Greg Gerke writes like an anthropologist of love, or like a<br \/>Brooklyn-based Sigmund Freud, walking down a mobius boulevard, finding\u00a0the truth as it flowers in the cracks of the sidewalk. Honest, deadpan,\u00a0personal and smart, these stories conspire, like a dream, to create a\u00a0world both uncanny and familiar, delirious and quotidian, funny and sad\u00a0and completely mesmerizing.&#8221;<\/p>\n<p class=\"postentry\">&#8211; John Haskell, author of\u00a0<i>I am Not Jackson Pollock<\/i> and <i>American Purgatorio<\/i><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 See What I See, a book of essays and:\u00a0Especially the Bad Things, a book of stories.\u00a0 Interview with Daniel Davis Wood at Splice The Feelish Bookish Podcast (Robert Fay and Roman Tsivkin) had me as a guest Storgy Magazine reviews Especially the Bad Things Praise for See What I See: See What I See\u00a0is &hellip; <a href=\"https:\/\/greggerke.com\/?page_id=23\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">See What I See: Essays  and  Especially the Bad Things: Stories<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/greggerke.com\/index.php?rest_route=\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greggerke.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/greggerke.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/greggerke.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greggerke.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":11,"href":"https:\/\/greggerke.com\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":760,"href":"https:\/\/greggerke.com\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions\/760"}],"wp:attachment":[{"href":"https:\/\/greggerke.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}